Concertino No. 1 "Peasant Folk Dance," Op. 82 for Piano and Orchestra (NFMC) - Dianne Goolkasian Rahbee - Piano Book

Concertino No. 1 "Peasant Folk Dance," Op. 82 for Piano and Orchestra (NFMC) composed by Dianne Goolkasian Rahbee (1938-) and Dianne Goolkasian Rahbee (1938-). Edited by Judith Olson and Helen Marlais. For piano. Performance. The FJH Contemporary Keyboard Editions. This title is on the 2011-2012-2013 National Federation of Music Clubs list.. Contemporary. Intermediate. Book. Published by The FJH Music Company Inc (FJ.J1019).

ISBN 1569396434. Contemporary.

This composition is the first of its kind for The FJH Music Contemporary Keyboard Editions. Written for piano and orchestra, it provides a perfect showpiece for a student pianist who has an opportunity to play with an orchestra. The orchestral part has

This composition is the first of its kind for The FJH Music Contemporary Keyboard Editions. Written for piano and orchestra, it provides a perfect showpiece for a student pianist who has an opportunity to play with an orchestra. The orchestral part has been arranged for a second piano and also comes with an optional percussion part. It is a possible modern alternative to the often performed Haydn Concerto in D Major.

About FJH Contemporary Keyboard Editions
The FJH Contemporary Keyboard Editions is a series that focuses on the best contemporary music for keyboard of the late 20th and early 21st centuries. These collected works by some of today's leading art-music composers will expand a student's concept of rhythm, harmony, sound, and texture. While the composers invited to write for this series use a colorful palette of contemporary techniques and textures, they were selected for their strong musical voices, which ensure that the ultimate goal of musical communication is never lost.

Too often, both students and teachers get discouraged with contemporary compositions because of their avant-garde sound. This series addresses that concern by providing excellent music which is both contemporary and intuitively musical. Contemporary performance practices such as depressing keys silently, cluster sounds, pedal effects, knocking on the keyboard, contemporary harmonies, jazz idioms, bitonality, modes, mixed and changing meters, and 12-tone techniques challenge the student to listen for new rhythmic gestures and tonal colors and expand their interpretive capacity.

While expanding students' horizons, this series helps to confirm and reinforce the musical and technical concepts they are learning in their other repertoire. The natural musicality present in each of these pieces demands the same kind of careful attention that we expect from the standard canon of repertoire.

This series is carefully leveled into the following categories: elementary, intermediate, early advanced, and advanced. Each of the works has been selected for its artistic as well as its pedagogical merit.