Mozart - Der Schauspieldirektor KV 486 - Opera Vocal Score (German)
Mozart, Wolfgang Amadeus
Der Schauspieldirektor K. 486
Musical comedy in one act
Edition no. BA 4512-90
ISMN: 9790006449446
Volume / Series: BÄRENREITER URTEXT
Editor: Croll, Gerhard
Arranger: Vogt, Hans
Language(s) of work: German
Language(s) of text: German, English
Product format: Vocal Score, Urtext edition
Binding: STAPLED
Pages / Format: VI, 56 S. - 27,0 x 19,0 cm
In the space of a few months, in the autumn and winter of 1789, Mozart filled more than 650 pages of a score that shows practically no signs of mental or physical exertion. The result was one of his most profound operas, Così fan tutte , which has held listeners spellbound with its blend of bitterness and comedy to the present day.
Our new easy-to-play vocal score is based on the volume edited by Faye Ferguson and Wolfgang Rehm for the “New Mozart Edition” (NMA II/5/18) and on the latest scholarly findings from the critical commentary published by Henning Bey and Faye Ferguson in 2003.
- Vocal score based on the Urtext of the “New Mozart Edition”
- Incorporates latest scholarly findings from the critical commentary of 2003
- Spacious appearance on the page, performance-oriented piano reduction
- Comprehensive preface (Ger ./ Eng.) with notes on the work and performance practice
Der Schauspieldirektor K. 486
Musical comedy in one act
Edition no. BA 4512-90
ISMN: 9790006449446
Volume / Series: BÄRENREITER URTEXT
Editor: Croll, Gerhard
Arranger: Vogt, Hans
Language(s) of work: German
Language(s) of text: German, English
Product format: Vocal Score, Urtext edition
Binding: STAPLED
Pages / Format: VI, 56 S. - 27,0 x 19,0 cm
In the space of a few months, in the autumn and winter of 1789, Mozart filled more than 650 pages of a score that shows practically no signs of mental or physical exertion. The result was one of his most profound operas, Così fan tutte , which has held listeners spellbound with its blend of bitterness and comedy to the present day.
Our new easy-to-play vocal score is based on the volume edited by Faye Ferguson and Wolfgang Rehm for the “New Mozart Edition” (NMA II/5/18) and on the latest scholarly findings from the critical commentary published by Henning Bey and Faye Ferguson in 2003.
- Vocal score based on the Urtext of the “New Mozart Edition”
- Incorporates latest scholarly findings from the critical commentary of 2003
- Spacious appearance on the page, performance-oriented piano reduction
- Comprehensive preface (Ger ./ Eng.) with notes on the work and performance practice
